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Seat in A Park Almost
Too Real for Comfort
The whisky in those cups to celebrate bag-lady
Rosie’s birthday was
rapidly drowning in a downpour in Egremont Castle, and Karen Polmear’s
inspired improvisation, "I’m broke and alone and terrified and wet"
raised the best laugh of the afternoon from an audience too enthralled
to seek shelter. Gosforth Players had brought their marvellously appropriate
production of Cherry Vooght’s ‘A Seat in the Park’, two short plays
that share a setting of a park bench beside a lady’s loo. The first play,
‘See If I Care’, expressed the sad theme that it is more comfortable to
make believe than to face reality: two old women, each desperately
pretending, one preferring to invent a lovely family than face the one she
had. That got through in the dry, but gathering storm clouds opened on its
companion piece and sequel ‘Night Song’, and
drenched everyone to
the skin.
As so often happens this spite of nature brought the very best out of the
actors who expressed with passionate sincerity the theme that when you are
in trouble you must go to poor people for help. It is the "broke, alone
and terrified and wet" tramp Rosie who has the humanity to see a need
even more acute than her own and donate her tiny inheritance from her dead
companion, Maggie, to Marilyn, rejected daughter of the old woman in the
first play. Anne Simpson, grime washing off her face as we watched in
fascination, expressed Marilyn’s anguish with heartfelt conviction, and as a
daughter rejected by her mother she was matched by Agnes, the mother
rejected by her daughter, equally convincingly portrayed by Linda Kirkbride.
It would not have been the same in the sunshine and it added something
special to Egremont Castle’s reputation as a natural theatre. ‘King Lear’
next time?
Photos, above, Anne Simpson as Marilyn, Karen Polmear as Rosie and Linda
Kirkbride as Agnes show truly professional dedication. Karen Storr’s photo,
left, shows the audience intent under the darkening skies.
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